Fear and loathing in las vegas movies123
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We had all the momentum we were riding the crest of a high and beautiful wave.
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There was no point in fighting - on our side or theirs. Not in any mean or military sense we didn't need that. There was a fantastic universal sense that whatever we were doing was right, that we were winning.Īnd that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. There was madness in any direction, at any hour. but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. San Francisco in the middle sixties was a very special time and place to be a part of. “It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark-that place where the wave finally broke and rolled back.” There was no point in fighting-on our side or theirs. Not in any mean or military sense we didn’t need that.
#Fear and loathing in las vegas movies123 movie#
There was a fantastic universal sense that whatever we were doing was right, that we were winning.Īnd that, I think, was the handle-that sense of inevitable victory over the forces of Old and Evil. The movie Fear and Loathing in Las Vegas, released in 1998 and directed by Terry Gilliam, was shot on film using ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera and Zeiss Standard Speed Prime Lenses with Nicola Pecorini as cinematographer and editing by Lesley Walker. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change).
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Bean shorts and a Butte sheepherder's jacket.
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My central memory of that time seems to hang on one or five or maybe forty nights-or very early mornings-when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time-and which never explain, in retrospect, what actually happened. Five years later? Six? It seems like a lifetime, or at least a Main Era-the kind of peak that never comes again. “Strange memories on this nervous night in Las Vegas.